![]() ![]() ![]() Through it all, Mitchell manifests his dedication to making music through his obvious enthusiasm. ![]() As the song suggests, even the most romantic overtures pale when it comes to the pull of divine devotion. That’s evidenced by I Gave My Heart (To the Girl Who Gave Her Heart To Jesus). Mitchell possesses a soulful spirituality, but his temporal side is also evident as well. It Rained details the results of a natural catastrophe, and the effect it had on a town and its inhabitants. Reach Out Your Hand shares the unfortunate fate of a wayward son who leaves his parents in a fit of fury, only to beg for their help later on. Uncommon Man, for example, offers homage to an individual who gives up his dreams in order to give priority to his family first and foremost. Taken in tandem, the stories shared in these songs come across as both affectionate and affecting. Mitchel himself had a hand in writing eleven of the thirteen songs, with two covers - bluegrass classics Love of the Mountains and Summer Wages - finding a fit with the original offerings. The players - Mitchell (lead vocals and fiddles), Jason Moore (bass), Joey Mosley (guitar), Jake Mosley (mandolin), Tray Wellington (banjo), Jesse Smathers (tenor vocals), Jesse Brock (baritone vocals), and Greg Blake (guest vocals) - put equal emphasis on the melodies as well as the messaging. The songs veer from rousing to reflective, with an outstanding group of contributing musicians ensuring that an emphatic impression is made throughout. Mitchell is an astute observer who draws from his own memories and the experiences others have shared as well. It’s all relayed respectively and, at times, reverently as well. In so doing, it shares both the commitment and complications those relationships often entail. Both touching and tender, resilient and resolute, it’s a concept album and song cycle of sorts, one which details the intrinsic bond between, well, fathers and sons. As as a singer, fiddler, viola player, and instructor, his dedication to making music has been evident with each of his four albums, but it’s especially now, courtesy of this vibrant new offering from Turnberry Records, Fathers and Sons. “Guys, this is Douglas,” he said, having named his and Nina’s son after his late brother.Mike Mitchell’s unfettered affection for bluegrass has always been apparent. “I am now,” he answered, smiling to his team and nodding at a newborn in the nursery. The doctor showed up to lead them down the hall, where they found Scola leaned against the nursery window. Meanwhile, with the Case of the Week solved, the team gathered at the hospital to await news. Toward episode’s end, we saw Scola enter Nina’s hospital room, to curl up beside her in bed and comfort her. But if there’s a problem and you have to choose… your priority should be Nina.” And the doctors went to work. The infection “caused a lot of damage to both Nina and the baby,” the doc explained, and as a result, “there’s a chance we might only be able to save one of them.”Īnd since Scola has Nina’s medical proxy… he must decide, ASAP, which of the two should be the medical team’s priority - mother, or child.Ī beat later, Scola tenders his decision, saying, “Obviously I’m praying to God that they will both be OK. Nina’s condition is “more complicated that we thought,” the doc told the would-be dad, and a specialist is en route to induce labor. Soon enough, Scola dipped on the Case of the Week after getting an urgent call from the hospital. Survivor Finalist Carolyn Wiger Comes Clean: 'I Almost Feel Embarrassed, but I Thought I Could Beat Him!' - Watch Fire Country Finale: Stephanie Arcila Weighs In on Bode's Lie, 's Kid ![]()
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